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The notion of citizen journalism examined here is one of civic participatory activism in archiving the collection, reporting, and dissemination of news through the merging of diverse media technologies in an attempt to create and distribute the most impact spreading news.The paper finally offers a critical analysis and argues that Vahid Online is more about individuated network framing of a privileged politics through practice of new technology.However, the core story of "Argo" focuses on the six American diplomats who escaped the initial takeover and found refuge in -- and eventual rescue from -- the Canadian Embassy in Iran.

Such media space has relied on a perception of citizen journalism that involves the civic task of dissemination of news and information with the view of the internet as an agency of change.S., or the Arab Spring in Tunisia or Egypt, social movements across the globe increasingly push for new forms of action through multi-media platforms with internet and its cultural networked characteristics providing an alternative medium of activism.The media landscape referenced here is one of disruption, couched in the transgressive discourse of “sequence of revolutions” which evokes something inherently transformative about the new technology [2].That bit of "Argo's" oversight is well known to Les Harris, a former W5 producer who quit his job to direct not only a 1980s documentary on this tale, but a movie of the week (Escape from Iran: The Canadian Caper) as well. What it was not was the story, the true story of what happened." Jimmy Carter, the American President at the time of the hostage crisis, echoed Harris’s viewpoint.While receiving an honorary degree at Queen’s University in Kingston, Ontario, Carter took issue with the film.

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